Utilizing elements of improvisation as well as tightly designed composition, these four pieces explore the interactions of live musicians with preconceived hardware processes and MAX frameworks intentionally designed to be so complex that the outcome is unknowable. But in all cases any action results in reactions, often with prismatic fracturing of pitch and time orientations.
Utilizing elements of improvisation as well as tightly designed composition, these four pieces explore the interactions of live musicians with preconceived hardware processes and MAX frameworks intentionally designed to be so complex that the outcome is unknowable. But in all cases any action results in reactions, often with prismatic fracturing of pitch and time orientations.