Giovanni Battista Ferrandini (ca.1710-1791) was already almost 12 years at the Munich court, where he was initially as an oboist employment. Until 1737 he should ascend to the director of chamber music and the electoral council. Ferrandini established at the Munich Court not only in his operas to modern Italian taste Pergolesischer embossing, but also impressed by his idiosyncratic melodic and his pronounced sense of tone.
1 Liebste Mutter Voll Der Schmerzin, Sacred Arietta for Voice & Ensemble
2 Flute Concerto in F Major: Moderato
3 Flute Concerto in F Major: Adagio
4 Flute Concerto in F Major: Allegro E Spirituoso
5 O Spettacolo Pur Troppo Funesto, Sacred Cantata for Voice & Ensemble: Recitativo. Adagio
6 O Spettacolo Pur Troppo Funesto, Sacred Cantata for Voice & Ensemble: Arie Lento
7 O Spettacolo Pur Troppo Funesto, Sacred Cantata for Voice & Ensemble: Rezitativo
8 O Spettacolo Pur Troppo Funesto, Sacred Cantata for Voice & Ensemble: Lento Assai. Da Christo
9 O Spettacolo Pur Troppo Funesto, Sacred Cantata for Voice & Ensemble: Aria Allegretto Tempo Giusto
10 String Quartet in G minor: Allegro
11 String Quartet in G minor: Andantino
12 String Quartet in G minor: Allegro
13 Ecco Quel Tronco, Sacred Cantata for Voice & Ensemble: Recitativo
14 Ecco Quel Tronco, Sacred Cantata for Voice & Ensemble: Adagio Assai
15 Ecco Quel Tronco, Sacred Cantata for Voice & Ensemble: Recitativo
16 Ecco Quel Tronco, Sacred Cantata for Voice & Ensemble: Allegro
Giovanni Battista Ferrandini (ca.1710-1791) was already almost 12 years at the Munich court, where he was initially as an oboist employment. Until 1737 he should ascend to the director of chamber music and the electoral council. Ferrandini established at the Munich Court not only in his operas to modern Italian taste Pergolesischer embossing, but also impressed by his idiosyncratic melodic and his pronounced sense of tone.
